Thank You

W-Fest

Dear friends and followers who attended Jeff Aug‘s and my performances and film –
screenings at W-Fest this weekend.
Thank you so much for your kind generosity. A percentage of your ticket fee has benefited
the following charities:
* Dier In De Kou
* Boom 2
* Anegria Ezelopvangcentrum
Thank you!
Anne

 

Dankjewel lieve mensen die gisteren en vandaag naar mijn live optreden met Jeff Aug
kwamen zien in de 360° dome op het W-Festival.
Een deel van de prijs van deze inkom tickets gaat naar deze 3 goede doelen:
* Dier In De Kou
* Boom 2
* Anegria Ezelopvangcentrum
Dankjewel,
Anne

 

Chers amis et fans, vous qui êtes venus voir ma performance avec Jeff Aug présentant le
film en 360° au W festival ce WE, je voudrais vous remercier pour votre générosité,
sachant que tous les bénéfices seront entièrement reversés aux œuvres de charité
suivantes :
* Dier In De Kou
* Boom 2
* Anegria Ezelopvangcentrum
Merci encore,
Anne.

More pictures can be found in the Gallery

 

A Brand New Full Length Album

I would love your opinion

At the end of this year I will be releasing a brand new full-length album. I would love to know your preferred option for this…

Anne Clark will be releasing a brand new full length album later this year. Which of the following would be your preferred format?

Digital Download
CD
Vinyl
Created with PollMaker


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ABOUT

Anne Clark

Combining literary, socially engaged texts with innovative and genre-breaking soundscapes, for nearly 40 years Anne Clark has held a unique place in both literature and music.

Throughout she has maintained her own identity on each and every recording, from the samples (before sampling became a concept) and electronically treated acoustics of the mini-album The Sitting Room (1982), via ground-breaking analogue synth classics, Sleeper In Metropolis (1983) and Our Darkness (1984) with composer David Harrow, to the extremes of the minimal Scandinavian jazz influences of Until Life (1991) and The Law Is An Anagram Of Wealth (1993), the pastoral and poetic interpretations and translations of Rainer Maria Rilkes poetry on Just After Sunset (1997) to the full-on electronics and sparse acoustics of The Smallest Acts Of Kindness (2008).

Very few artists have covered such a wide spectrum over such a long and consistent career.

Always looking for new ways of expression and communication through the emotion of music’s abstraction and use of direct language, Anne seeks to not only challenge herself but her audience also.

 

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Score of Poem Without Words II

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