AC © Marion Schütt

Dear Anne Clark fans,

It is with great regret that we must announce the cancellation of ANNE CLARK`s 2020 Visions European Tour which was rescheduled for October/November this year.

Anne Clark has been diagnosed with cancer and must undergo extensive treatment until the end of the year making a tour in Fall 2020 impossible.

We are incredibly disappointed that the tour dates must be cancelled, but Anne needs to focus completely on her recovery at this time.

Thank you to everyone for your understanding. Ticket refunds can be provided at point of purchase.

Liebe Anne Clark fans,

Mit großem Bedauern müssen wir die Absage der 2020 Visions European Tour von ANNE CLARK bekannt geben, die auf Oktober / November dieses Jahres verschoben wurde.

Bei Anne Clark wurde Krebs diagnostiziert und sie muss sich bis Ende des Jahres einer umfassenden Behandlung unterziehen, was eine Tour im Herbst 2020 unmöglich macht.

Wir sind unglaublich enttäuscht, dass die Tourdaten abgesagt werden müssen, aber Anne muss sich zu diesem Zeitpunkt ganz auf ihre Genesung konzentrieren.

Vielen Dank an alle für Ihr Verständnis. Ticketrückerstattungen werden am Verkaufsort gewährleistet.

Beste Anne Clark fans,

Tot onze grote spijt wordt de “Anne Clark 2020 Visions Tour” die werd gepland voor oktober/november dit jaar, afgelast en zal ook het concert op 27 november in de Waregem Concert en Expo Hall niet doorgaan.

Bij Anne is kanker vastgesteld en dus zal zij voor de rest van het jaar een zware behandeling moeten ondergaan waardoor een tournee in de herfst van 2020 onmogelijk is geworden.

Wij zijn zelf enorm teleurgesteld dat we deze tournee moeten annuleren, maar Anne moet zich nu volledig toeleggen op haar herstel.

Dankjewel voor jullie begrip. Terugbetaling van tickets kan via de weg van aankoop.

ABOUT

Anne Clark

Combining literary, socially engaged texts with innovative and genre-breaking soundscapes, for nearly 40 years Anne Clark has held a unique place in both literature and music.

Throughout she has maintained her own identity on each and every recording, from the samples (before sampling became a concept) and electronically treated acoustics of the mini-album The Sitting Room (1982), via ground-breaking analogue synth classics, Sleeper In Metropolis (1983) and Our Darkness (1984) with composer David Harrow, to the extremes of the minimal Scandinavian jazz influences of Until Life (1991) and The Law Is An Anagram Of Wealth (1993), the pastoral and poetic interpretations and translations of Rainer Maria Rilkes poetry on Just After Sunset (1997) to the full-on electronics and sparse acoustics of The Smallest Acts Of Kindness (2008).

Very few artists have covered such a wide spectrum over such a long and consistent career.

Always looking for new ways of expression and communication through the emotion of music’s abstraction and use of direct language, Anne seeks to not only challenge herself but her audience also.

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